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which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory
but is completely independent and introduces both moments of rhythmic accentuation and elements of "veiling"
He had been employed as organist and chamber musician at the court of Weimar since 1708
The "greatest musical work of art of all times and all peoples" (to quote the enthusiastic Hans Georg Nägeli
Bach’s Cantata BWV 69a of 1723
Missa de Apostolis Johann Philipp Krieger which in the 17th and
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