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Piano Concerto in A minor Op. 85 03.328/80 In his transposition of the
Piano Concerto in A minor Op. 85 03.328/80 In his transposition of the
Piano Concerto in A minor Op. 85 03.328/80 In his transposition of the
Piano Concerto in A minor Op. 85 03.328/80 In his transposition of the

Piano Concerto in A minor Op. 85 03.328/80 In his transposition of the

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Description

In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: “different-sized ensembles

Starting from the Gospel of St

and it was highly acclaimed by the contemporary press

Ravel’s first sketch of the score as well as his final handwritten score were laid down as the principal sources

Gustav Mahler combined different work concepts which he had previously tried out in various independent compositions: the 1st movement with the original title "Todtenfeier" was conceived as a symphonic poem

Piano Concerto in A minor Op. 85 03.328/80 In his transposition of the

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