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(6) rhythmic alteration practices
belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet
which can be dated to 1692
effective antiphonal groupings
Gounod’s Messe à la mémoire de Jeanne d’Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429
Deus meus Andrea Tasler (6) rhythmic alteration practices
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