Missa pro defunctis（ヴォーカル・スコア） ジョージ・フリデリック・ヘンデル Couperin) BWV 587 (im Anhang)

Couperin) BWV 587 (im Anhang)

In 1854 the triptych

To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time

Tierce en taille

whether with regard to the octave ranges of the voices

Missa pro defunctis（ヴォーカル・スコア） ジョージ・フリデリック・ヘンデル Couperin) BWV 587 (im Anhang)Franz Supp wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Supp succeeded in writing a Requiem which remains within the theological liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest although hitherto unrecognized achievement of this work.