Engawa Afternoon Travel this one stacks four of

this one stacks four of them and lets the blue cover what it needs to cover

soft blues ghosted into the cream ground

Club Marigny holds its position at a polite distance and lets the building keep its composure

a sharp panel of yellow at the upper edge — eyes

Nothing is dramatised — the mood is left to the line

Engawa Afternoon Travel this one stacks four ofEngawa Afternoon is the quiet veranda frame from 30 Days in Tokyo a long wooden corridor between an old shoji fitted room and an enclosed garden, late afternoon light coming sideways through the panes. The glass is single pane and slightly warped, so the trees outside ripple where they meet the mullions. A small bilingual sign leans against the wainscot please don't touch anything exhibited in this house and the floorboards run amber under a soft