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preserving the contexts in which punk and post-punk artists moved between public performance and private intervals
and self-possession of the downtown music scene
Keith Richards beside a sprinkler valve during the Their Satanic Majesties Request photo shoot
Larger formats are issued in limited editions and realized as gelatin silver prints for black and white images
and performers shaped one another’s public language
Debbie Harry, Gramercy Park, New York, 1978 Size:20 × 24 in (50.8 × 61 cm) preserving the contexts in whichDebbie Harry on the street beside Gramercy Park in New York, 1978, photographed by Martyn Goddard during the sessions around Blondie's breakthrough. Dark sunglasses, a flash of red hood, a downtown sidewalk, the picture has the loose, candid feel of the city that made the band. Goddard travelled with Blondie through 1978 as they crossed from cult favourites into genuine stars, and his New York frames from that year are among the most evocative of the
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