Frenetic marker and oil on canvas This work is rooted in

This work is rooted in the human figure

explosiveness

starting from one end and gradually transitioning into a different color through horizontal color fields

and the pale creams

Johnson has said he does not believe in inspiration

Frenetic marker and oil on canvas This work is rooted inAshlynn Browning's recurring use of grids, networks may recall architectural structures, but these are only created in response to the paint as she works, instinctively. Colors, which play a very important part in Brownings paintings, will also vary depending on her feelings or interests of the moment (nature, fashion trends, or art historical preferences).