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of passers-by seeing it in a window and mistaking it for a real flesh and blood girl
ravaged landscape
An exercise in the style of Rembrandt
The figures have been attributed to Adriaen van de Velde (q
While scholars have believed this proves a particularly long gestation for the painting (from the mid 1620s to the early 1630s) it is more likely that the Triumph of David did not necessarily remain in Poussin's workshop over several years but
John Lovelace, 3rd Baron Lovelace Size:small of passers-by seeing it in
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