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This painting was made when Abu’l Hasan was still living in Mandu (before he was invited by Jehangir to the royal court) and uses gouache heightened with gold leaf on a fine woven cotton canvas
Not many of Abu al-Hasan's paintings survived or are hidden in the coffers of museums and collectors
Western perspective
Between 1679 and 1707
While Abu al-Hasan’s career aligned with developments in the style of Mughal paintings
The Curse of Sati The Royal Aviary This painting was made whenJTNDdWwlMjBjbGFzcyUzRCUyMm5hc2EtdGFicyUyMG5hc2EtY2xhc3NpYy1zdHlsZSUyMG5hc2EtY2xhc3NpYy0yZCUyMiUzRSUwQSUzQ2xpJTIwY2xhc3MlM0QlMjJuYXNhLXNpbmdsZS1wcm9kdWN0LXRhYiUyMGRlc2NyaXB0aW9uX3RhYiUyMG5hc2EtdGFiJTIwYWN0aXZlJTIwZmlyc3QlMjBsYXN0JTIyJTNFJTBBJTNDYSUyMGhyZWYlM0QlMjJqYXZhc2NyaXB0JTNBdm9pZCUyODAlMjklM0IlMjIlMjBkYXRhLWlkJTNEJTIyJTIzbmFzYS10YWItZGVzY3JpcHRpb24lMjIlMjByZWwlM0QlMjJub2ZvbGxvdyUyMiUzRSUwQU1hdGVyaWFscyUyMFVzZWQlM0MlMkZhJTNFJTNDJTJGbGklM0UlM0MlMkZ1
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