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PRAXIS forms a kind of photographic labyrinth in which Antoine d’Agata assembles temporalities and arranges different languages
capturing everything from grand vistas to intimate detail and
to flourish
this Erwitt chronicles it all with a humanistic flair
So the fixed image ruled the day
Magnum Editions: Paris, France, 1968 Framing:Unframed PRAXIS forms a kind ofDuring May 1968 I was on constant alert, wrote Bruno Barbey of his time shooting the Paris riots. In those days there were practically no movie cameras. I remember only William Klein filming, and some foreign television crews; French television was on strike. So the fixed image ruled the day. Photography had a role to play, and a central importance. Barbeys image shows students hurling projectiles at the police on Boulevard Saint Germain in the 6th
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