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Taryn Simon: The Innocents (2000–2003) Ulf Linde these sculptures incorporate visual puns

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Description

these sculptures incorporate visual puns and art historical footnotes that embody their creator’s preference for counterpoint and fugue

the bone china plates feature artwork by Virgil Abloh

in conjunction with Brice Marden: These paintings are of themselves

The exhibition and publication testify to the artist’s lifelong exploration of the role of technology in culture

this image brings together an eclectic combination of motifs around a central figure

Taryn Simon: The Innocents (2000–2003) Ulf Linde these sculptures incorporate visual punsTaryn Simons earliest body of work, The Innocents (2003), documents stories of individuals who were incarcerated for violent crimes they did not commit. The project stands as both a photographic record of some of the earliest DNA based exonerations in the United States and a searing indictment of Americas criminal legal system. The Innocents interrogates photographys credibility as an arbiter of justice. People suspected of committing crimes are

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