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Juszkiewicz’s surreal composition interprets a work by the Dutch portrait painter of its title
It featured one of Rauschenberg’s earliest known surviving sculptures
featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover
opening up surfaces and spaces to the countless perceptual possibilities of the medium
The publication reproduces 150 of Adams’s most significant works in color and is introduced by Alyssa Alexander
Claude Monet: Late Work David Levi Strauss Juszkiewicz’s surreal composition interprets aThis poster featuring Nymphas (1906) was produced in 2010, in conjunction with Claude Monet: Late Work at Gagosian, West 21st Street, New York. The exhibition focused on the Impressionists late paintings, which were inspired by his gardens at Giverny. Lacking a horizon line, Nymphas inverts the conventions of Western landscape painting, representing water, water lilies, and reflected light in a harmonious composition of delicate brushstrokes.
