#1192 Susan Cantrick paint on traditional supports of

paint on traditional supports of canvas and paper

but in order to paint air I realized that I needed to paint things in it

a diluted pigment (mixed inks

The frame is 18mm thick and is made of aluminium and wood

harmonious visual structures such as concentric circular or linear patterns

#1192 Susan Cantrick paint on traditional supports ofBoecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the surface over time. He builds his paint up in a slow process, adding layers of color then partially removing them, allowing the echoes of erosion to remain visible in the final work. The gradual accumulation of pigment conveys a visual sense of depth, while also communicating a bittersweet emotional feeling that