Shadow Boxer (A.2) mixed media That digital montage became the

That digital montage became the model for the first painting

The extremely smooth surface of the polyester support permits particularly precise rendering and unique textural effects

Hallard constructs monochromatic and semi-monochromatic images of recognizable geometric forms such as squares and rectangles on paper and aluminum

Greet Helsen uses mixed media on canvas reflecting the perplexity of nature that she so often captures on her landscapes

is that there is more at stake with each mark as there is much less room in which to balance tension and harmony in the composition

Shadow Boxer (A.2) mixed media That digital montage became theThe Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between