Kairagi Cup Grey III jochen-holz "When creating ceramic pieces I

"When creating ceramic pieces I try to communicate my heritage my passion for material the alchemy behind firings and the connection between purpose and beauty

The external decoration - interplay of marks glazes and the clay body all create rhythms on the surface of the piece

I first encountered it in antique Korean ceramics

The surface has layers of glazed and unglazed areas

the slowness and movement of walking are echoed in the repetition and rhythms of the making process making each a mindful and meditative practice

Kairagi Cup Grey III jochen-holz "When creating ceramic pieces IA flared mug thrown by hand in Akiko's London studio, with layers of pale crackle and smooth glaze. An expert in glazing, each piece has a unique surface that illustrates the element of chance that is central to her processes. Made to be used. "Today, much of industrial production values consistency, precision and control. My work moves in the opposite direction, embracing variation as an essential part of making. I am currently researching why